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To which astounding assertion she replied in those terms of flattery in which alone it was safe to address the individuals who were not tyrants, and whose motto was Liberty, equality, and fraternity.<024>
  • TWO:Mme. Le Brun took the greatest pleasure in her intercourse with the Queen. Having heard that she had a good voice and was passionately fond of music, Marie Antoinette asked her to sing some of the duets of Grtry with her; and scarcely ever afterwards did a sitting take place without their playing and singing together.

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  • TWO:[130]A fashionable promenade was the boulevard du Temple, where every day, especially Thursdays, hundreds of carriages were to be seen driving up and down or standing under the shade of trees now replaced by houses, shops, and cafs. Young men rode in and out amongst them, notorious members of the demi-monde tried to surpass every one in the splendour of their dress and carriages. A certain Mlle. Renard had her carriage drawn by four horses, their harness studded with imitation jewels. It was not an age of imitation. In those days as a rule lace was real lace, jewels were real jewels, and if tawdry imitations and finery were worn it was by women of this class. Respectable people would never have dreamed of bedizening themselves with the sort of cheap rubbish with which the modern women of the lower classes delight to disfigure their houses and their dress.

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  • TWO:Yet his delineation of the society of the day was so true that somebody remarked about his play, Le Cercle, that Poinsinet must have been listening at the doors. He was drowned in Spain while crossing the Guadalquivir.

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THREE:But the woods, the meadows, the Seine, and the general beauty of the landscape delighted Mme. Le Brun, who, after all her wanderings, began to have a longing for rest, became more and more attached to her home as the years passed, and spent more and more of her time there.
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THREE:
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THREE:
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FORE:From the horrors of the Revolution she had fled in time; with the Empire and its worshippers she had never had any sympathy; the episode of the Hundred Days was a new calamity, but when it was past and the King again restored her joy was complete. 8.00 - 10.00 | JUN 09,2014

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FORE:But the changed aspect of Paris, the loss of so many she loved, and perhaps most of all the ungrateful conduct of her daughter, depressed Mme. Le Brun so that she lost her spirits, had a perpetual craving to be alone, and for this purpose took a [150] little house in the wood of Meudon, where, except for the visits of the Duchesse de Fleury and one or two other friends who lived near, she could to a certain extent indulge in her new fancy for solitude.Marie AntoinetteBirth of Mme. Le Bruns daughterThe Royal FamilyBrusselsAntwerpThe charms of French societyThe Opera ballAn incident in the TerrorA Greek supperLe jeu de la Reine. 9.00 - 10.00 | FEB 15,2014

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FORE:Society of the Palais RoyalPhilippe-galitAn ApparitionMlle. MarsM. DucrestMarriage of Mme. de MontessonMarlyThe Prime Minister of France. 11.00 - 10.00 | JUN 10,2014

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Gregory Orloff became her all-powerful favourite, and although she would never agree to his preposterous ambition and allow him to be married to her and crowned Emperor, she loaded the Orloff family with riches and honours, which they retained after other favourites had succeeded the gigantic guardsman in her affections.Marie Antoinette was tall, well-formed, with perfectly shaped arms, hands and feet, a brilliant complexion, bluish-grey eyes, delicate though not regular features, a charming expression and a most imposing air, which very much intimidated Mme. Le Brun during the first sitting. But the kindness and gentleness with which the Queen talked to the young artist soon set her at ease, and when the portrait, which was to be presented to the Emperor Joseph II., was finished, she was desired to make two copies of it; one to be sent to the Empress Catherine of Russia, the other to be placed in the royal apartments, either at Versailles or Fontainebleau. After these she painted several portraits of the Queen, one of which, in a straw hat, was, when exhibited in the Salon, 1786, declared by one of those malicious slanders then becoming frequent, to be the Queen en chemise.Mesdames de France, the Kings daughters, of whom there had been seven or eight, were now reduced to five, four of whom were unmarried. Nothing is more characteristic of the period than the way these princesses were brought up and educated; and the light thrown upon manners and customs early in the eighteenth century gives interest to all the details concerning them.Seeing at once what was the question, she answered: You are mistaken, citoyens, those who embarked were not contre-revolutionnaires.
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